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Béton

25.6.–6.11.2016
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Sofie Thorsen, Spielplastiken, 2010–2016, Courtesy Galerie Krobath, Wien; Werner Feiersinger, Ohne Titel (Dante Bini), 2013; Ohne Titel (Fregene), 2015; Ohne Titel (Burri), 2016; Ohne Titel (Gino Valle), 2009; Ohne Titel (Musmeci), 2015; Ohne Titel (Morandi), 2010; Ohne Titel (Baratti), 2011; Ohne Titel (Corviale), 2015; Courtesy der Künstler und Galerie Martin Janda, Wien

Location

Kunsthalle Wien
Museumsquartier

In the 1950s and 60s, concrete was regarded as the epitome of modernism. An individual architectural style based on concrete established itself, so-called brutalism (originating from the French word for exposed concrete: béton brut). Brutalist architecture not only distinguishes itself through an expressive application of concrete but through a distinct social element; brutalist architecture stands for social housing, municipal educational establishments, cultural centers, and universities. Aiming to change society, brutalist architecture virtually gave shape to utopia. Today, many of the buildings built at the time are threatened with demolition; they are considered to have failed their purpose. In light of a modernism stained by dystopia, contemporary art once again carve out its original ideas, its euphoria, but also its failure. Not out of a nostalgic longing but for the sake of remembering that architecture was once more than enclosed space, and concrete was not merely a building material but was historically and ideologically charged.

Artists: Kasper Akhøj, Heba Amin,Monica Bonvicini, Mark Boyle, Andreas Bunte, Tom Burr, Thomas Demand, WernerFeiersinger, Karsten Födinger, Cyprien Gaillard, Isa Genzken, Liam Gillick,Annette Kelm, Hubert Kiecol, Jakob Kolding, Miki Kratsman, Susanne Kriemann, David Maljković, Jumana Manna, Ingrid Martens, Isa Melsheimer, Olaf Metzel,Maximilian Pramatarov, Heidi Specker, Ron Terada, Tercerunquinto, SofieThorsen, Klaus Weber, Tobias Zielony

Curators: Vanessa Joan Müller, Nicolaus Schafhausen

Vienna Ugly – an urban explorationEverybody knows the beautiful side of Vienna. Vienna Ugly – An Urban Exploration, however, looks beyond the clichés of stunning architecture, Schnitzel, and Sissi. (Tours in English)

ArchitekTour WienGo on an ArchitectTour through Vienna and discover various styles of architecture along the underground line U1.

Find further information on all tours here.

Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Sofie Thorsen, Spielplastiken, 2010–2016, Courtesy Galerie Krobath, Wien; Werner Feiersinger, Ohne Titel (Dante Bini), 2013; Ohne Titel (Fregene), 2015; Ohne Titel (Burri), 2016; Ohne Titel (Gino Valle), 2009; Ohne Titel (Musmeci), 2015; Ohne Titel (Morandi), 2010; Ohne Titel (Baratti), 2011; Ohne Titel (Corviale), 2015; Courtesy der Künstler und Galerie Martin Janda, Wien
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Heba Amin, Project Speak2Tweet, 2011 bis heute, Courtesy die Künstlerin
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Jumana Manna, Government Quarter Study, 2014, KOR Public Art Norway; Mark Boyle, Secretions: Blood, Sweat, Piss and Tears, 1978, Henie Onstad Collection, Hovikodden, Norwegen; Miki Kratsman, Public Shelter, Acre, 2006; Public Shelter, Tel Aviv, 2016; Checkpoint, Road 443, 2014; Public Shelter, Tel Aviv, 2007, Courtesy der Künstler und Chelouche Gallery, Tel Aviv
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Susanne Kriemann, One Time One Million, 2006–2009, Courtesy die Künstlerin und Wilfried Lentz, Rotterdam
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Tercerunquinto, Gráfica reportes de condición, 2010–2016, Courtesy die Künstler und Proyectos Monclova, Mexico City
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff
Ausstellungsansicht: Beton, Kunsthalle Wien 2016, Foto: Stephan Wyckoff: Jumana Manna, Government Quarter Study, 2014, KOR Public Art Norway; Mark Boyle, Secretions: Blood, Sweat, Piss and Tears, 1978, Henie Onstad Collection, Hovikodden, Norwegen
Tobias Zielony, Structure, 2010, aus der Serie Vele, © Tobias Zielony, Courtesy der Künstler, KOW, Berlin und Galleria Lia Rumma, Mailand